Snow Crash by Neil Stephenson
Not my favorite of the cyberpunk novels from the late 80's, early 90's haydays, but it's still a fun read. The sense of humor and enjoyment of wide-eyed wow mashed with the lowered eyelids of boredom and the of course I'm this cool attitude really drive this book quite well. Language is nice and dense with diverting tangents and the plot moves at a welcome clip. Of course, there are also lengthy monologues, which should have been trimmed into the let-me-show-you-how-it's-done narrative style of the rest of the book, given in metaphors and exaggerations instead of a lengthy recitation of source material (I DON'T CARE THAT YOU'RE GIVING CREDIT, THIS IS A NOVEL NOT A RESEARCH PAPER) and the action, while generally blissfully absurd sometimes falls into self aggrandizement, and unintentional comedy. My recommendation for those unfamiliar with the book would be simply to read the first two pages. If you love them, buy the book, if you're offput, then run from the genre. It's not for everyone.
I am particularly interested in how corporations are the post-nationalism. I really like that as major corporations have already swallowed large swaths of devoted acolytes, as nationalism had done, and the way that it's presented here, as absurd as it is (this is an absurd book) just works well as a social critique. I grow weary of those that read this book (we're discussing it in class) as a sort of prophecy rather than a cultural commentary, as it just doesn't support itself in that way, but works very well in discussing ideas of culture in a progressively technological society.
~Jason
Not my favorite of the cyberpunk novels from the late 80's, early 90's haydays, but it's still a fun read. The sense of humor and enjoyment of wide-eyed wow mashed with the lowered eyelids of boredom and the of course I'm this cool attitude really drive this book quite well. Language is nice and dense with diverting tangents and the plot moves at a welcome clip. Of course, there are also lengthy monologues, which should have been trimmed into the let-me-show-you-how-it's-done narrative style of the rest of the book, given in metaphors and exaggerations instead of a lengthy recitation of source material (I DON'T CARE THAT YOU'RE GIVING CREDIT, THIS IS A NOVEL NOT A RESEARCH PAPER) and the action, while generally blissfully absurd sometimes falls into self aggrandizement, and unintentional comedy. My recommendation for those unfamiliar with the book would be simply to read the first two pages. If you love them, buy the book, if you're offput, then run from the genre. It's not for everyone.
I am particularly interested in how corporations are the post-nationalism. I really like that as major corporations have already swallowed large swaths of devoted acolytes, as nationalism had done, and the way that it's presented here, as absurd as it is (this is an absurd book) just works well as a social critique. I grow weary of those that read this book (we're discussing it in class) as a sort of prophecy rather than a cultural commentary, as it just doesn't support itself in that way, but works very well in discussing ideas of culture in a progressively technological society.
~Jason