Minority chose UE3 in part because its team members have had success using the toolset in developing triple-A games such as "Army of Two" and also because it was easy to staff up with experienced developers thanks to Montreal's thriving UE3 talent base.
"'Papo & Yo' is excellent proof of what small teams can quickly produce with the UE3 toolset," said Joe Kreiner, North American territory manager of Epic Games. "There is no limit to what you can accomplish if you have a great creative vision and leverage Unreal Engine technology."
"We knew UE3 would get us creating gameplay mechanics and levels very quickly. We wanted to quickly start building gameplay elements and puzzles and iterating on them. UE3's material editor allowed us to get beautiful characters and environments without a lot of work," said Julien Barnoin, Minority Lead Engineer. "When artists or designers come to me asking for a new feature, I can often just point them to how to do it right in the editor, and can get back to coding the features that are really unique to our game."
Using Epic's engine as the backbone of the company's flagship game meant more than just time saving, however. The community around UE3 was very helpful in the process, Barnoin said, "The resources available on UDN are always very advantageous. Even after years using the engine, there are always things for me to learn--either new features or useful little tools I've never known were there--so reading documentation and keeping an eye on relevant mailing lists is a must to make the most of the engine."
Inspired by creative director Vander Caballero's turbulent relationship with his father, "Papo & Yo" follows the story of a young boy, Quico, and his best friend, Monster, a huge beast who becomes violent when he succumbs to his poisonous frog addiction. Quico must save Monster by playing to his emotions to search for a cure and save his pal.
